Hauptseite Datenschutzrichtlinie DMCA Kontakte
» » Artie Shaw And His Orchestra - Nightmare

Artie Shaw And His Orchestra - Nightmare Herunterladen

Artie Shaw And His Orchestra - Nightmare Herunterladen
Darsteller: Artie Shaw And His Orchestra
Titel: Nightmare
Land: US
Genre: Jazz
Stil:Big Band
Freigegeben: 1953
Katalognummer: EPAT 407
Etikett: RCA Victor
MP3-Albumgröße: 2487 mb
FLAC-Albumgröße: 2575 mb

Trackliste

1Dancing In The Dark
Written-By – Schwartz - Dietz
2Serenade To A Savage
Written-By – Edgar Battle, Joe Garland
3Nightmare
Written-By – Artie Shaw
4Moonglow
Written-By – DeLange, Mills, Hudson

Versionen

CategoryArtistTitle (Format)LabelCategoryCountryYear
EPAT-407Artie Shaw And His Orchestra Nightmare ‎(7", EP)RCA VictorEPAT-407Germany1953
7E-MF 7Artie Shaw And His Orchestra Artie Shaw And His Orchestra ‎(7", EP)La Voix De Son Maître7E-MF 7GermanyUnknown
7E-MF 7Artie Shaw And His Orchestra Moonglow ‎(7", EP)La Voix De Son Maître7E-MF 7FranceUnknown

Kurzes Intro

Nightmare - Artie Shaw and His Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Artie Shaw & Orchestra - Artie Shaw and His Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Artie Shaw and His Orchestra. The Chronological Classics 1938. Shaw Artie. SME, MRC от лица компании Classics Warner Chappell, LatinAutor - Warner Chappell, União Brasileira de Compositores, EMI Music Publishing, BMG Rights. Приобретайте пластинки, компакт-диски и многое другое от Artie Shaw And His Orchestra на маркетплейсе : Artie Shaw and his Orchestra Writer: Artie Shaw. Fox Trot Theme Song. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3. 8 mil truncated eliptical, 2. 3 mil truncated conical, 2. 8 mil truncated conical, 3. 3 mil truncated eliptical. These were recorded flat and then also equalized with Turnover: 250. 0, Rolloff: -5. The preferred versions suggested by an audio engineer at George Blood, L. have been copied to have the more friendly filenames. Matrix number: B-7875A Catalog number: B-7875-A. Watch the video for Nightmare by Artie Shaw and His Orchestra for free, and see the artwork, lyrics and similar artists. Artie Shaw born Arthur Jacob Arshawsky in New York City grew up in New Haven, Connecticut, where his natural introversion was deepened by local antisemitism according to Shaw's autobiography. Shaw began learning the saxophone when he was 13 years old, and by the age of 16, he switched to the clarinet and left home to tour with a band. Returning to New York, he became a session musician through the early 1930s. From 1925 until 1936, Shaw performed with a variety of bands and orchestras, including those of Johnny Caverello and Austin Wylie. Artie Shaw & His Orchestra - I Can't Believe That You're In Love With Me 02:42, 320Kbs. Artie Shaw & His Orchestra - Serenade To A Savage 02:31, Kbs. Artie Shaw & His Orchestra - I'M Yours 03:23, Kbs. Artie Shaw & His Orchestra - Just You Just Me 02:36, Kbs. Artie Shaw & His Orchestra - Traffic Jam 02:31, Kbs. Most important - you can download the album The Best of Artie Shaw to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: The Best of Artie Shaw 2014. Shaw wrote Nightmare the day before his band had been scheduled to open the Hotel Lexington in New York City, New York, on August 21, 1936, with a remote wire hooked to the CBS radio network. Shaw had, in fact, been told that he would need to have a theme to play at the start and stop of the live radio broadcasts. Having the right theme song was very important for bands at the time. A theme song was a bands signature it also established the bands musical image. Furthermore, as Peter J. Levinson writes, a theme song had to be distinctive and recognizable, especially in a bands infancy wh. Artie Shaw started his first swing band in 1936. He formed and dissolved groups several times throughout the 30s and 40s, his last organisation being a short-lived band playing bop-style jazz in 1949. His best-known orchestra enjoyed a lengthy residency at the Blue Room of the Hotel Lincoln on New York's Eighth Avenue. A member of ASCAP from 1942,. See full bio