Hauptseite Datenschutzrichtlinie DMCA Kontakte
» » Heinrich Schütz : Vokalensemble Pro Musica, Köln / The American Kantorei - The Seven Last Words Of Christ From The Cross / Three Motets For Two Choirs

Heinrich Schütz : Vokalensemble Pro Musica, Köln / The American Kantorei - The Seven Last Words Of Christ From The Cross / Three Motets For Two Choirs Herunterladen

Heinrich Schütz : Vokalensemble Pro Musica, Köln / The American Kantorei - The Seven Last Words Of Christ From The Cross / Three Motets For Two Choirs Herunterladen
Darsteller: Heinrich Schütz : Vokalensemble Pro Musica, Köln / The American Kantorei
Titel: The Seven Last Words Of Christ From The Cross / Three Motets For Two Choirs
Land: US
Freigegeben: 1972
Katalognummer: TV-S 34521
Etikett: Turnabout
MP3-Albumgröße: 1818 mb
FLAC-Albumgröße: 2178 mb

Trackliste

1Jauchzet dem Herrn, alle Welt5:27
2Lift Up Your Heads, O Ye Gates6:51
3 The Seven Last Word Of Christ From The Cross
4I Am the Resurrection and the Life: St. John3:02
5 Motets For Two Choirs
6The Seven Last Word Of Christ From The Cross24:39

Credits

  • Composed ByHeinrich Schütz (tracks: A1-B3)
  • Music Director, ConductorJohannes Hömberg (tracks: A1), Robert Bergt (tracks: B1-B3)

Kurzes Intro

Composed By Heinrich Schütz tracks: A1-B3. Music Director, Conductor Johannes Hömberg tracks: A1, Robert Bergt tracks: B1-B3. Покупка Heinrich Schütz : Vokalensemble Pro Musica, Köln, The American Kantorei - The Seven Last Words Of Christ From The Cross, Three Motets For Two Choirs - Turnabout - LP - TV-S 34521, включает The Seven Last Word Of Christ From The Cross, Jauchzet dem Herrn, alle Welt, Lift Up Your Heads, O Ye Gates, I Am the Resurrection and the Life: St. The Seven Last Words of Our Saviour on the Cross German: Die sieben letzten Worte unseres Erlösers am Kreuze is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva Holy Cave Oratory in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet and in 1796 as an oratorio with both solo and choral vocal forces, and he approved a version for solo piano. Haydn: The Seven Last Words of Christ on the Cross, Symphony No. 88 - Milan Munclinger, Prague Chamber Orchestra, franz joseph haydn. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. And other albums from Heinrich Schütz are available on sale at Recordsale. Heinrich Schütz : Vokalensemble Pro Musica, Köln, The American Kantorei. Artists H Heinrich Schütz The Seven Last Words Of Christ From The Cross, Three Motets For Two Choirs. Heinrich Schütz. I Febiarmonici, Wolfgang Helbich, Alsfelder Vokalensemble. Motets For Two Choirs. Jauchzet dem Herrn, alle Welt. Musician performer: Heinrich Schütz. Title: The Seven Last Words Of Christ From The Cross, Three Motets For Two Choirs. Date of release: 1972. Genre: Classical. Size FLAC: 1896 mb. Rating: 4. Votes: 798. Other Formats: VOX AA XM MIDI FLAC AUD DTS. Heinrich Schütz 1972. Listen to music from Heinrich Schütz like Erbarm dich mein, o Herre Gott, SWV 148, Symphoniae Sacrae III, Op. 12: Mein Sohn, warum hast Du uns das getan, SWV 401 & more. Find the latest tracks, albums, and images from Heinrich Schütz. A new version of is available, to keep everything running smoothly, please reload the site. Play artist. Schutz: German Requiem, Seven Last Words of Christ. 1,268 listeners. 22 Jun 2004 11 tracks. HaydnPeris: The seven last words of Christ - version for string quartet and voice - Susanne Kelling, Henschel Quartett, franz joseph haydn. The two short works that fill out the CD are the five-part tenth and eleventh motets from 'Geistliche Chor-Musik' 'Sacred Choir Music': the 26th Psalm 'Die mit Tränen säen' , and 'So fahr ich hin zu Jesu Christ' 'So onward I go. to Jesus Christ' whose text it taken from a funeral choral 'Wenn mein Stündlein vorhanden ist' 'When my hour is come'. The Seven Words of Christ is a later work, and also one of Schutz's most personal this is speculated, since it remained in manuscript and was never published. On this recording, the choir sounds fantastic similar to the Requiem on the Introit and Conclusion